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Just checked what you said, it is indeed the case. 60 FPS was running on a 1/60 shutter speed (set by auto), 120 FPS was 1/125(set by auto).
Doubling the light isn't possible, and I'm guessing no amount of changes to the settings will improve things if lighting is the issue on 120p.
Maybe I could just increase the shutter speed some at the loss of some brightness to decrease the blur on 60p, I'm not getting the same noise penalty at 1/125 shutter speed on 60p as I am on 120p, but the brightness is about the same. I also have a 1/90 and 1/100 speed options between 1/60 and 1/125 on 60p.
The noise at 120p isn't terrible, but it does make the image less clear than the last generation Sony camcorder I was using last year, albeit a lesser frame rate. The blur on 60p at 1/60(auto) isn't really that bad either, I'm just trying to find the optimal settings.
Losing slow motion isn't really too big of a deal, I was only going to slow down shots on goal as a replay after the shot, or questionable calls by the ref.
I suspect, unless the game is in full daylight I will just keep it at 60p auto shutter, but I might as well test some of the settings just in case.
Thanks for the help! I was scratching my head about this one, not a big photography guy.
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What you need to wrap your head around is how camera exposure works.
You're seeing the same noise at the same shutter speed because it's using the same ISO, regardless of the frame rate.
So...quick primer on camera exposure then.
You have 3 primary variables - aperture, shutter speed, ISO.
Aperture is the lens opening, this controls how much light actually gets into the camera, some cameras have a fixed aperture (like gopros) others it is adjustable. I googled your camera, seems it can do f/2 to f/11 or thereabouts, so you've got some control. As an example, f/2 lets in a lot of light. f/4 lets in waaaaaaaaaaaay less light. f/11 lets in just a tiny bit of light in comparison to f/2.
Shutter speed controls how long the sensor is exposed to light...so like 1/60 is half the speed of 1/125, so it also means
half double the light gets in.
ISO controls how much gain is applied, more or less. People refer to it as making the sensor more sensitive to light but that's not entirely accurate. It also moves in increments of double or half the light.
ISO 100 to ISO 200 is double the gain, so you can use twice as much shutter for freezing motion, but you trade off gaining some noise.
If we want to talk in comparisons...let's pretend your camera is a bucket. The aperture tells us how big the water hose that's filling it is aka the maximum amount of water (light) that can pass through at any given time. Changing this means your hose will pass less or more water through over a fixed period of time. The shutter speed is the water valve, opening for a specific amount of time. This can be faster or shorter, passing more or less water (light) depending on the aperture.
The ISO would be like adding some rocks or something to the bucket to artificially raise the water level. It has no actual impact on the water that comes into the bucket, it doesn't care...at all. What it does is change how you perceive the water that's physically in the bucket.
Changing one of these often requires changing the others to maintain balance.
Your camera likely has several automatic or semi automatic modes to help with this until you're feeling more comfortable.
We're happy to help you out here in the photo forum!