^ Same here. That is where the ultimate test is, since that is what you'll actually be hunting with. The blades of a fixed blade broadhead will steer the arrow away from the field points, if there is any misalignment between the arrow shaft and line of flight as it leaves the bow.
Paper tuning is a rough method to get you close enough to begin broadhead tuning. So when they told you to go back to paper tune, you were taking a step back again to square one for no reason. I also like bareshaft tuning (shooting field tip arrows with no vanes). If you can get a bareshaft to shoot straight and group with your fletched arrows, then your tune and shooting form is probably as good as it will ever get. Note that with bareshaft tuning, you want to keep the target distance to 10 yds and less to start out, because the bareshaft might go flying wildly if you aren't already in perfect tune. Then once you get it dialed in at 10 yds, you can try stretching the bareshaft target distance out to 20 and 30 yds for further fine tuning. If you're shooting bareshafts straight out to 20 and 30 yards, then your fixed blade broadheads will most definitely fly true.
The way I begin is to set the rest at perfect center shot vertically and horizontally and set my nock point so the arrow shaft is perfectly level (using bow/arrow levels).
Then I paper tune. However, I don't adjust the rest. I adjust the yoke angle and cam synchronization/timing until I get a bullet hole or very close to a bullet hole. If I got a perfect bullet hole, then I'm done paper tuning and move on to BH tuning. If I can only very close to perfect bullet hole, then I will make small final micro-adjustments to the rest to achieve a perfect bullet hole, then move on to BH tuning. Once BH tuned, I try shooting bareshafts.
When broadhead and bareshaft tuning, only use very very slight micro adjustments of the rest. And only make one change at a time, or else you begin chasing your tail.