www.postmagazine.com/post/article/articleDetail.jsp?id=79165LONDON - A month before Cold Mountain's Christmas release, editor Walter Murch was sitting in a Soho audio studio working on the film's soundtrack with veteran supervising sound editor Eddy Joseph. Multiple-Oscar-winner Murch took some time out to talk with Post and summed up a long tour of duty in Bucharest, Romania, where he'd accomplished the first editing of a major Hollywood motion picture on Final Cut Pro.
While Apocalypse Now, with its 1,250,000 feet of film, was the most footage Murch had faced as an editor, he worked then as one of three, sometimes four editors. But on director Anthony Minghella's Cold Mountain, Murch and his first assistant, Sean Cullen, had 597,000 feet of film to cut, the most in his career, and a challenge to asset management and networking (see sidebar).
In some circles, Walter Murch is held to be the leader in taking Hollywood feature film editing into the Avid Film Composer as he first did in the '90s with Minghella's The English Patient. But why turn to
Final Cut Pro, a popular piece of Apple software, and why now?
"It was partly that Avid so dominates the field," Murch says. "It's good that there are alternate systems out there, and I had my eye on Final Cut for a number of years. It's a software-only system, so it can immediately take advantage of improvements in hardware. Immediately you can use the G5, which has just come into availability. You can transfer the material and carry it around with you on a laptop. On a different level, Final Cut is a non-proprietary system - it uses QuickTime to convey images and sounds, and that's kind of the universally used system for file exchanges of images and sounds on the Internet, CDs and DVDs. It's a very transparent system for dealing with the outside world coming into the system and going from the system back to the outside world."
Murch was able to e-mail QuickTime image files to visual effects supervisor Dennis Lowe and others at London's Double Negative where they work with QuickTime in a PC environment. "They'd send [the QuickTimes] back to us, we'd drop them in and you could intercut them with the original footage. The only thing that would be different is the visual effect that was added. It's perfect. That was never the case previously.