In my opinion the tonwoods you pick are absolutely key. This would include the bridge, bracing and kerfing, as well. Here is some information from DB - http://www.pantheonguitars.com/tonewoods.htm He, obviously, knows what he's talking about. Here is an even better link to some folks perception of acoustic tonewood properties - http://collingsforum.com/eve/forums/a/tpc/f/74760485/m/174102163
More important that wood would also be the type of instrument you choose. An OM, or 00 will sound tremendously different than a jumbo or a dread. Obviously. I have played a Maple bodied grand auditorium from James Goodall that had a Port Orford Cedar (sp?) top and it was exceptional - very bright, even though the top wood was known for its kind of mellow or dark qualities. My guess is that you want something similar to what you hear in your favorite set of players.
I purchased a handmade instrument and it is absolutely everything that I ever hoped that it would be. I hope that you find what you are looking for, as well. It is very much worth the price of admission. If you are happy with the end result it will never be replaced - even if you eventually purchase other instruments.
Good luck!