He's got the neck off mine right now.
When I bought my Thompson (as I mentioned) I had him make mine with a custom fat round "C" profiled neck instead of his standard profile. Kinda more like a "50's model Gibson or Martin, because I like the vintage feel the best, and find I don't cramp up after a couple hours like I do on the D-18 (a 2014 model with the "performance neck"). Most of my guitars have fat necks. I use custom necks from Musikraft on my strats (4). My thumb ball joint used to get sore but the fat necks fixed that.
Anyway I got the strings as low as I could and could rip on the thing, but could not get it low enough, so it went back. After this reset I should be able to get the setup I like: measured at 12th fret with capo on the first, 5/64" high E and 6/64" low E. I'm getting pretty good at setting up acoustics.
The best playing acoustic I have is an Ovation, but the tone is not that great, and the DI tone is absolutely unusable. It does play like butter, though. I put a Baggs Lyric in the D-18 and that is working very well for me, doing the bluegrass and fiddle tunes. Got a gig coming up I wish I would have the Thompson back for, but the D-18 will work fine.
Here's a quick recording of
Salt Creek on the Ovation (a 1981 10th anniversary model): not bad at all acoustically (excuse the clam notes). I recorded it in stereo using 2 condenser mics in XY config foolin around.
soundcloud link