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Posted: 8/4/2011 7:57:00 PM EDT
For Jane
225 days under grass and you know more than I. they have long taken your blood, you are a dry stick in a basket. is this how it works? in this room the hours of love still make shadows. when you left you took almost everything. I kneel in the nights before tigers that will not let me be. what you were will not happen again. the tigers have found me and I do not care. |
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Harp Song of the Dane Women
By Rudyard Kipling “ What is a woman that you forsake her, And the hearth-fire and the home-acre, To go with the old grey Widow-maker? She has no house to lay a guest in— But one chill bed for all to rest in, That the pale suns and the stray bergs nest in. She has no strong white arms to fold you, But the ten-times-fingering weed to hold you— Out on the rocks where the tide has rolled you. Yet, when the signs of summer thicken, And the ice breaks, and the birch-buds quicken, Yearly you turn from our side, and sicken— Sicken again for the shouts and the slaughters. You steal away to the lapping waters, And look at your ship in her winter-quarters. You forget our mirth, and talk at the tables, The kine in the shed and the horse in the stables— To pitch her sides and go over her cables. Then you drive out where the storm-clouds swallow, And the sound of your oar-blades, falling hollow, Is all we have left through the months to follow. Ah, what is Woman that you forsake her, And the hearth-fire and the home-acre, To go with the old grey Widow-maker ? |
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My mom used to quote this one to me when I was little. She learned it in grade school in the 30's. Reminds me of Fall, my favorite time of year, and of simpler and better times...
When the Frost is on the Punkin by James Whitcomb Riley (1853–1916) WHEN the frost is on the punkin and the fodder's in the shock, And you hear the kyouck and gobble of the struttin' turkey-cock, And the clackin' of the guineys, and the cluckin' of the hens, And the rooster's hallylooyer as he tiptoes on the fence; O, it's then the time a feller is a-feelin' at his best, With the risin' sun to greet him from a night of peaceful rest, As he leaves the house, bareheaded, and goes out to feed the stock, When the frost is on the punkin and the fodder's in the shock. They's something kindo' harty-like about the atmusfere When the heat of summer's over and the coolin' fall is here— Of course we miss the flowers, and the blossoms on the trees, And the mumble of the hummin'-birds and buzzin' of the bees; But the air's so appetizin'; and the landscape through the haze Of a crisp and sunny morning of the airly autumn days Is a pictur' that no painter has the colorin' to mock— When the frost is on the punkin and the fodder's in the shock. The husky, rusty russel of the tossels of the corn, And the raspin' of the tangled leaves as golden as the morn; The stubble in the furries—kindo' lonesome-like, but still A-preachin' sermuns to us of the barns they growed to fill; The strawstack in the medder, and the reaper in the shed; The hosses in theyr stalls below—the clover overhead!— O, it sets my hart a-clickin' like the tickin' of a clock, When the frost is on the punkin and the fodder's in the shock. Then your apples all is gethered, and the ones a feller keeps Is poured around the cellar-floor in red and yaller heaps; And your cider-makin's over, and your wimmern-folks is through With theyr mince and apple-butter, and theyr souse and sausage too!... I don't know how to tell it—but ef such a thing could be As the angels wantin' boardin', and they'd call around on me— I'd want to 'commodate 'em—all the whole-indurin' flock— When the frost is on the punkin and the fodder's in the shock. |
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Invictus
Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds, and shall find, me unafraid. It matters not how strait the gate, How charged with punishments the scroll. I am the master of my fate: I am the captain of my soul. |
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Stopping by Woods on a Snowy EveningWhose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake The only other sound’s the sweep Of easy wind and downy flake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. <cite style="font-variant: small-caps;">Stopping by Woods on a Snowy Evening, 1923 by Robert Frost (26 March 1874 – 29 January 1963) source: Wikipedia</cite> |
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The Roman Centurion's Song
LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine an olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go! Rudyard Kipling |
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"The Hollow Men" by T.S. Eliot.
I used to have it memorized, believe it or not. (I also used to have all the Czars of Russia memorized, in order). |
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The Road Not Taken
Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I–– I took the one less traveled by, And that has made all the difference. - Robert Frost, of course. |
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Willie built a guillotine
And tried it out on sister Jean Said mother as she got out the mop I wish these messy games would stop |
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rudyard kipling IF Great poem. This one, or The Raven, by Edgar Allen Poe. Always liked that one, not sure why. |
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rudyard kipling IF Great poem. This one, or The Raven, by Edgar Allen Poe. Always liked that one, not sure why. The Raven is awesome - one of the greatest poems of the English language IMHO. |
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Hurt Hawks
Robinson Jeffers I The broken pillar of the wing jags from the clotted shoulder, The wing trails like a banner in defeat, No more to use the sky forever but live with famine And pain a few days: cat nor coyote Will shorten the week of waiting for death, there is game without talons. He stands under the oak-bush and waits The lame feet of salvation; at night he remembers freedom And flies in a dream, the dawns ruin it. He is strong and pain is worse to the strong, incapacity is worse. The curs of the day come and torment him At distance, no one but death the redeemer will humble that head, The intrepid readiness, the terrible eyes. The wild God of the world is sometimes merciful to those That ask mercy, not often to the arrogant. You do not know him, you communal people, or you have forgotten him; Intemperate and savage, the hawk remembers him; Beautiful and wild, the hawks, and men that are dying, remember him. II I'd sooner, except the penalties, kill a man than a hawk; but the great redtail Had nothing left but unable misery From the bone too shattered for mending, the wing that trailed under his talons when he moved. We had fed him six weeks, I gave him freedom, He wandered over the foreland hill and returned in the evening, asking for death, Not like a beggar, still eyed with the old Implacable arrogance. I gave him the lead gift in the twilight. What fell was relaxed, Owl-downy, soft feminine feathers; but what Soared: the fierce rush: the night-herons by the flooded river cried fear at its rising Before it was quite unsheathed from reality. http://www.thebeckoning.com/poetry/misc/rjeffers1.html |
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Stopping by Woods on a Snowy EveningWhose woods these are I think I know.
His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer
To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake
To ask if there is some mistake The only other sound’s the sweep Of easy wind and downy flake. The woods are lovely, dark and deep,
But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. <cite style="font-variant: small-caps;">Stopping by Woods on a Snowy Eveninghttps://www.assoc-amazon.com/e/ir?t=ablereach-20&l=ur2&o=1, 1923
by Robert Frosthttps://www.assoc-amazon.com/e/ir?t=ablereach-20&l=ur2&o=1 (26 March 1874 – 29 January 1963) source: Wikipedia</cite> This |
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rudyard kipling IF Great poem. That's what I came in here to say. |
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Pioneers!
O Pioneers! by Walt Whitman Come my tan-faced children, Follow well in order, get your weapons ready, Have you your pistols? have you your sharp-edged axes? Pioneers! O pioneers! For we cannot tarry here, We must march my darlings, we must bear the brunt of danger, We the youthful sinewy races, all the rest on us depend, Pioneers! O pioneers! O you youths, Western youths, So impatient, full of action, full of manly pride and friendship, Plain I see you Western youths, see you tramping with the foremost, Pioneers! O pioneers! Have the elder races halted? Do they droop and end their lesson, wearied over there beyond the seas? We take up the task eternal, and the burden and the lesson, Pioneers! O pioneers! All the past we leave behind, We debouch upon a newer mightier world, varied world, Fresh and strong the world we seize, world of labor and the march, Pioneers! O pioneers! We detachments steady throwing, Down the edges, through the passes, up the mountains steep, Conquering, holding, daring, venturing as we go the unknown ways, Pioneers! O pioneers! We primeval forests felling, We the rivers stemming, vexing we and piercing deep the mines within, We the surface broad surveying, we the virgin soil upheaving, Pioneers! O pioneers! Colorado men are we, From the peaks gigantic, from the great sierras and the high plateaus, From the mine and from the gully, from the hunting trail we come, Pioneers! O pioneers! From Nebraska, from Arkansas, Central inland race are we, from Missouri, with the continental blood intervein'd, All the hands of comrades clasping, all the Southern, all the Northern, Pioneers! O pioneers! O resistless restless race! O beloved race in all! O my breast aches with tender love for all! O I mourn and yet exult, I am rapt with love for all, Pioneers! O pioneers! Raise the mighty mother mistress, Waving high the delicate mistress, over all the starry mistress, (bend your heads all,) Raise the fang'd and warlike mistress, stern, impassive, weapon'd mistress, Pioneers! O pioneers! See my children, resolute children, By those swarms upon our rear we must never yield or falter, Ages back in ghostly millions frowning there behind us urging, Pioneers! O pioneers! On and on the compact ranks, With accessions ever waiting, with the places of the dead quickly fill'd, Through the battle, through defeat, moving yet and never stopping, Pioneers! O pioneers! O to die advancing on! Are there some of us to droop and die? has the hour come? Then upon the march we fittest die, soon and sure the gap is fill'd. Pioneers! O pioneers! All the pulses of the world, Falling in they beat for us, with the Western movement beat, Holding single or together, steady moving to the front, all for us, Pioneers! O pioneers! Life's involv'd and varied pageants, All the forms and shows, all the workmen at their work, All the seamen and the landsmen, all the masters with their slaves, Pioneers! O pioneers! All the hapless silent lovers, All the prisoners in the prisons, all the righteous and the wicked, All the joyous, all the sorrowing, all the living, all the dying, Pioneers! O pioneers! I too with my soul and body, We, a curious trio, picking, wandering on our way, Through these shores amid the shadows, with the apparitions pressing, Pioneers! O pioneers! Lo, the darting bowling orb! Lo, the brother orbs around, all the clustering suns and planets, All the dazzling days, all the mystic nights with dreams, Pioneers! O pioneers! These are of us, they are with us, All for primal needed work, while the followers there in embryo wait behind, We to-day's procession heading, we the route for travel clearing, Pioneers! O pioneers! O you daughters of the West! O you young and elder daughters! O you mothers and you wives! Never must you be divided, in our ranks you move united, Pioneers! O pioneers! Minstrels latent on the prairies! (Shrouded bards of other lands, you may rest, you have done your work,) Soon I hear you coming warbling, soon you rise and tramp amid us, Pioneers! O pioneers! Not for delectations sweet, Not the cushion and the slipper, not the peaceful and the studious, Not the riches safe and palling, not for us the tame enjoyment, Pioneers! O pioneers! Do the feasters gluttonous feast? Do the corpulent sleepers sleep? have they lock'd and bolted doors? Still be ours the diet hard, and the blanket on the ground, Pioneers! O pioneers! Has the night descended? Was the road of late so toilsome? did we stop discouraged nodding on our way? Yet a passing hour I yield you in your tracks to pause oblivious, Pioneers! O pioneers! Till with sound of trumpet, Far, far off the daybreak call––hark! how loud and clear I hear it wind, Swift! to the head of the army!––swift! spring to your places, Pioneers! O pioneers! |
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Kipling––If
Henley––Invictus Not only the best of poems but two of the most important written documents in the English language. |
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Ulysses by Alfred Lord Tennyson
It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel: I will drink Life to the lees: all times I have enjoyed Greatly, have suffered greatly, both with those That loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vest the dim sea: I am become a name; For always roaming with a hungry heart Much have I seen and known; cities of men And manners, climates, councils, governments, Myself not least, but honoured of them all; And drunk delight of battle with my peers; Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untravelled world, whose margin fades For ever and for ever when I move. How dull it is to pause, to make an end, To rust unburnished, not to shine in use! As though to breath were life. Life piled on life Were all to little, and of one to me Little remains: but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, mine own Telemachus, To whom I leave the scepter and the isle Well-loved of me, discerning to fulfill This labour, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail: There gloom the dark broad seas. My mariners, Souls that have toiled, and wrought, and thought with me That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads you and I are old; Old age had yet his honour and his toil; Death closes all: but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with Gods. The lights begin to twinkle from the rocks: The long day wanes: the slow moon climbs: the deep Moans round with many voices. Come, my friends, 'Tis not too late to seek a newer world. Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down: It may be we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in the old days Moved earth and heaven; that which we are, we are, One equal-temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield. |
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For me a tos up:
I was a shepherd to fools Causelessy bold or afraid who wouldn't abide by my rules Yet they lived for I stayed Convoy escorts, epitaphs of the war by Kipling OR BY the rude bridge that arched the flood, Their flag to April's breeze unfurled, Here once the embattled farmers stood, And fired the shot heard round the world. The foe long since in silence slept; Alike the conqueror silent sleeps; And Time the ruined bridge has swept Down the dark stream which seaward creeps. On this green bank, by this soft stream, We set to-day a votive stone; That memory may their deed redeem, When, like our sires, our sons are gone. Spirit, that made those heroes dare To die, and leave their children free, Bid Time and Nature gently spare The shaft we raise to them and thee. The Concord Hymn by Ralph Waldo Emerson |
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Quoted: Invictus Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds, and shall find, me unafraid. It matters not how strait the gate, How charged with punishments the scroll. I am the master of my fate: I am the captain of my soul. That is mine as well. I'll have to go with: Do not go gentle into that good night by Dylan Thomas Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light. And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light. |
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Quoted: e e cummings wrote shit.l(a le af fa ll s) one l iness - e e cummings |
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Invictus Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds, and shall find, me unafraid. It matters not how strait the gate, How charged with punishments the scroll. I am the master of my fate: I am the captain of my soul. I have "INVI CTUS" tattooed on my knuckles. Hardest poem ever. |
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Quoted: rub a dub dub thanks for the grub YEA GOD Diggity diggity diggity. |
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This one seems needed around arfcom these days. Maybe someone will take the words to heart. Don't Quit When things go wrong, as they sometimes will, When the road you're trudging seems all uphill, When the funds are low and the debts are high, And you want to smile, but you have to sigh, When care is pressing you down a bit, Rest, if you must, but don't you quit. Life is queer with its twists and turns, As every one of us sometimes learns, And many a failure turns about, When he might have won had he stuck it out; Don't give up though the pace seems slow–– You may succeed with another blow. Often the goal is nearer than, It seems to a faint and faltering man, Often the struggler has given up, When he might have captured the victor's cup, And he learned too late when the night slipped down, How close he was to the golden crown. Success is failure turned inside out–– The silver tint of the clouds of doubt, And you never can tell how close you are, It may be near when it seems so far, So stick to the fight when you're hardest hit–– It's when things seem worst that you must not quit. - Author unknown |
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Not a poem but I enjoy this all the same...
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation. We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.––That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, ––That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. <continued> |
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Death, Be Not Proud is one of my favorites. I wrote a paper on it for an English class in college. I also think that The Raven has some of the most beautiful usage of the language I've ever read. My favorite is the line, "The silken, sad uncertain rustling of each purple curtain thrilled me." It has such beautiful flow.
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Quoted: Ulysses by Alfred Lord Tennyson "snip" Damnit, you beat me. |
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Hickery dickery dock
You just bit off my cock! You crazy bitch! You stupid witch! Bring back my severed cock! |
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I saw a man pursuing the horizon;
Round and round they sped. I was disturbed at this; I accosted the man. "It is futile," I said, "You can never — " "You lie," he cried, And ran on. -Stephen Crane |
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The Cremation of Sam McGee
by Robert Service There are strange things done in the midnight sun By the men who moil for gold; The Arctic trails have their secret tales That would make your blood run cold; The Northern Lights have seen queer sights, But the queerest they ever did see Was that night on the marge of Lake Lebarge I cremated Sam McGee. Now Sam McGee was from Tennessee, where the cotton blooms and blows. Why he left his home in the South to roam 'round the Pole, God only knows. He was always cold, but the land of gold seemed to hold him like a spell; Though he'd often say in his homely way that "he'd sooner live in hell." On a Christmas Day we were mushing our way over the Dawson trail. Talk of your cold! through the parka's fold it stabbed like a driven nail. If our eyes we'd close, then the lashes froze till sometimes we couldn't see; It wasn't much fun, but the only one to whimper was Sam McGee. And that very night, as we lay packed tight in our robes beneath the snow, And the dogs were fed, and the stars o'erhead were dancing heel and toe, He turned to me, and "Cap," says he, "I'll cash in this trip, I guess; And if I do, I'm asking that you won't refuse my last request." Well, he seemed so low that I couldn't say no; then he says with a sort of moan: "It's the cursèd cold, and it's got right hold, till I'm chilled clean through to the bone. Yet 'tain't being dead — it's my awful dread of the icy grave that pains; So I want you to swear that, foul or fair, you'll cremate my last remains." A pal's last need is a thing to heed, so I swore I would not fail; And we started on at the streak of dawn; but God! he looked ghastly pale. He crouched on the sleigh, and he raved all day of his home in Tennessee; And before nightfall a corpse was all that was left of Sam McGee. There wasn't a breath in that land of death, and I hurried, horror-driven, With a corpse half hid that I couldn't get rid, because of a promise given; It was lashed to the sleigh, and it seemed to say: "You may tax your brawn and brains, But you promised true, and it's up to you, to cremate those last remains." Now a promise made is a debt unpaid, and the trail has its own stern code. In the days to come, though my lips were dumb, in my heart how I cursed that load. In the long, long night, by the lone firelight, while the huskies, round in a ring, Howled out their woes to the homeless snows — Oh God! how I loathed the thing. And every day that quiet clay seemed to heavy and heavier grow; And on I went, though the dogs were spent and the grub was getting low; The trail was bad, and I felt half mad, but I swore I would not give in; And I'd often sing to the hateful thing, and it hearkened with a grin. Till I came to the marge of Lake Lebarge, and a derelict there lay; It was jammed in the ice, but I saw in a trice it was called the "Alice May." And I looked at it, and I thought a bit, and I looked at my frozen chum; Then "Here," said I, with a sudden cry, "is my cre-ma-tor-eum." Some planks I tore from the cabin floor, and I lit the boiler fire; Some coal I found that was lying around, and I heaped the fuel higher; The flames just soared, and the furnace roared — such a blaze you seldom see; And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee. Then I made a hike, for I didn't like to hear him sizzle so; And the heavens scowled, and the huskies howled, and the wind began to blow. It was icy cold, but the hot sweat rolled down my cheeks, and I don't know why; And the greasy smoke in an inky cloak went streaking down the sky. I do not know how long in the snow I wrestled with grisly fear; But the stars came out and they danced about ere again I ventured near; I was sick with dread, but I bravely said: "I'll just take a peep inside. I guess he's cooked, and it's time I looked"; ... then the door I opened wide. And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and said: "Please close that door. It's fine in here, but I greatly fear, you'll let in the cold and storm — Since I left Plumtree, down in Tennessee, it's the first time I've been warm." There are strange things done in the midnight sun By the men who moil for gold; The Arctic trails have their secret tales That would make your blood run cold; The Northern Lights have seen queer sights, But the queerest they ever did see Was that night on the marge of Lake Lebarge I cremated Sam McGee. |
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Tommy, by Rudyard Kipling:
I went into a public-'ouse to get a pint o' beer, The publican 'e up an' sez, "We serve no red-coats here." The girls be'ind the bar they laughed an' giggled fit to die, I outs into the street again an' to myself sez I: O it's Tommy this, an' Tommy that, an' "Tommy, go away"; But it's "Thank you, Mister Atkins", when the band begins to play, The band begins to play, my boys, the band begins to play, O it's "Thank you, Mister Atkins", when the band begins to play. I went into a theatre as sober as could be, They gave a drunk civilian room, but 'adn't none for me; They sent me to the gallery or round the music-'alls, But when it comes to fightin', Lord! they'll shove me in the stalls! For it's Tommy this, an' Tommy that, an' "Tommy, wait outside"; But it's "Special train for Atkins" when the trooper's on the tide, The troopship's on the tide, my boys, the troopship's on the tide, O it's "Special train for Atkins" when the trooper's on the tide. Yes, makin' mock o' uniforms that guard you while you sleep Is cheaper than them uniforms, an' they're starvation cheap; An' hustlin' drunken soldiers when they're goin' large a bit Is five times better business than paradin' in full kit. Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?" But it's "Thin red line of 'eroes" when the drums begin to roll, The drums begin to roll, my boys, the drums begin to roll, O it's "Thin red line of 'eroes" when the drums begin to roll. We aren't no thin red 'eroes, nor we aren't no blackguards too, But single men in barricks, most remarkable like you; An' if sometimes our conduck isn't all your fancy paints, Why, single men in barricks don't grow into plaster saints; While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind", But it's "Please to walk in front, sir", when there's trouble in the wind, There's trouble in the wind, my boys, there's trouble in the wind, O it's "Please to walk in front, sir", when there's trouble in the wind. You talk o' better food for us, an' schools, an' fires, an' all: We'll wait for extry rations if you treat us rational. Don't mess about the cook-room slops, but prove it to our face The Widow's Uniform is not the soldier-man's disgrace. For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!" But it's "Saviour of 'is country" when the guns begin to shoot; An' it's Tommy this, an' Tommy that, an' anything you please; An' Tommy ain't a bloomin' fool –– you bet that Tommy sees! |
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Breathe deep the gathering gloom.
watch lights fade from every room. Bedsitter people sit back and lament. Another days useless energies spent. Empassioned lovers wrestle as one. Lonely man cries for love and has none. New mother picks up and suckles her son. Senior citizens wish they were young. Cold hearted orb that rules the night. Removes the color from our sight. Red is grey and yellow white. But we decide which is right. And which is an illusion. |
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From my mother's sleep I fell into the State, And I hunched in its belly till my wet fur froze. Six miles from earth, loosed from its dream of life, I woke to black flak and the nightmare fighters. When I died they washed me out of the turret with a hose. |
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This one tears me up whenever I read it.
The depths of winter longing are ice within my heart The shards of broken covenants lie sharp against my soul The wraiths of long-lost ecstasy still keep us two apart The sullen winds of bitterness still keen from turn to pole. The scars and twisted tendons, the stumps of struck-off limbs, The aching pit of hunger and throb of unset bone, My sanded burning eyeballs, as light within them dims, Add nothing to the torment of lying here alone... The shimmering flames of fever trace out your blessed face My broken eardrums echo yet your voice inside my head I do not fear the darkness that comes to me apace I only dread the loss of you that comes when I am dead. |
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The wind was a torrent of darkness upon the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight looping the purple moor, And the highwayman came riding–– Riding––riding–– The highwayman came riding, up to the old inn door. He'd a French cocked hat on his forehead, and a bunch of lace at his chin; He'd a coat of the claret velvet, and breeches of fine doe-skin. They fitted with never a wrinkle; his boots were up to his thigh! And he rode with a jeweled twinkle–– His rapier hilt a-twinkle–– His pistol butts a-twinkle, under the jeweled sky. Over the cobbles he clattered and clashed in the dark inn-yard, He tapped with his whip on the shutters, but all was locked and barred, He whistled a tune to the window, and who should be waiting there But the landlord's black-eyed daughter–– Bess, the landlord's daughter–– Plaiting a dark red love-knot into her long black hair. Dark in the dark old inn-yard a stable-wicket creaked Where Tim, the ostler listened––his face was white and peaked–– His eyes were hollows of madness, his hair like mouldy hay, But he loved the landlord's daughter–– The landlord's black-eyed daughter; Dumb as a dog he listened, and he heard the robber say: "One kiss, my bonny sweetheart; I'm after a prize tonight, But I shall be back with the yellow gold before the morning light. Yet if they press me sharply, and harry me through the day, Then look for me by moonlight, Watch for me by moonlight, I'll come to thee by moonlight, though hell should bar the way." He stood upright in the stirrups; he scarce could reach her hand, But she loosened her hair in the casement! His face burnt like a brand As the sweet black waves of perfume came tumbling o'er his breast, Then he kissed its waves in the moonlight (O sweet black waves in the moonlight!), And he tugged at his reins in the moonlight, and galloped away to the west. He did not come in the dawning; he did not come at noon. And out of the tawny sunset, before the rise of the moon, When the road was a gypsy's ribbon over the purple moor, The redcoat troops came marching–– Marching––marching–– King George's men came marching, up to the old inn-door. They said no word to the landlord; they drank his ale instead, But they gagged his daughter and bound her to the foot of her narrow bed. Two of them knelt at her casement, with muskets by their side; There was Death at every window, And Hell at one dark window, For Bess could see, through her casement, the road that he would ride. They had bound her up at attention, with many a sniggering jest! They had tied a rifle beside her, with the barrel beneath her breast! "Now keep good watch!" and they kissed her. She heard the dead man say, "Look for me by moonlight, Watch for me by moonlight, I'll come to thee by moonlight, though Hell should bar the way." She twisted her hands behind her, but all the knots held good! She writhed her hands till her fingers were wet with sweat or blood! They stretched and strained in the darkness, and the hours crawled by like years, Till, on the stroke of midnight, Cold on the stroke of midnight, The tip of one finger touched it! The trigger at least was hers! The tip of one finger touched it, she strove no more for the rest; Up, she stood up at attention, with the barrel beneath her breast. She would not risk their hearing, she would not strive again, For the road lay bare in the moonlight, Blank and bare in the moonlight, And the blood in her veins, in the moonlight, throbbed to her love's refrain. Tlot tlot, tlot tlot! Had they heard it? The horse-hooves, ringing clear; Tlot tlot, tlot tlot, in the distance! Were they deaf that they did not hear? Down the ribbon of moonlight, over the brow of the hill, The highwayman came riding–– Riding––riding–– The redcoats looked to their priming! She stood up straight and still. Tlot tlot, in the frosty silence! Tlot tlot, in the echoing night! Nearer he came and nearer! Her face was like a light! Her eyes grew wide for a moment, she drew one last deep breath, Then her finger moved in the moonlight–– Her musket shattered the moonlight–– Shattered her breast in the moonlight and warned him––with her death. He turned, he spurred to the West; he did not know who stood Bowed, with her head o'er the casement, drenched in her own red blood! Not till the dawn did he hear it, and his face grew grey to hear How Bess, the landlord's daughter, The landlord's black-eyed daughter, Had watched for her love in the moonlight, and died in the darkness there. Back, he spurred like a madman, shrieking a curse to the sky, With the white road smoking behind him and his rapier brandished high! Blood-red were his spurs in the golden noon, wine-red was his velvet coat When they shot him down in the highway, Down like a dog in the highway, And he lay in his blood in the highway, with the bunch of lace at his throat. And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding–– Riding––riding–– The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter–– Bess, the landlord's daughter–– Plaiting a dark red love-knot into her long black hair. |
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Annabel Lee
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea. Edgar Allan Poe |
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Well Im gonna cheat and post 2!1!!!
OpportunityBy Edward Rowland Sill This I beheld, or dreamed it in a dream:- There spread a cloud of dust along a plain; And underneath the cloud, or in it, raged A furious battle, and men yelled, and swords Shocked upon swords and shields. A prince’s banner Wavered, then staggered backward, hemmed by foes. A craven hung along the battle’s edge, And thought, "Had I a sword of keener steel- That blue blade that the king’s son bears,-but this Blunt thing-!” he snapt and flung it from his hand, And lowering crept away and left the field. Then came the king’s son, wounded, sore bestead, And weaponless, and saw the broken sword, Hilt-buried in the dry and trodden sand, And ran and snatched it, and with battle-shout Lifted afresh he hewed his enemy down, And saved a great cause that heroic day And.... How Did You Die? |
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Quoted: I hate poetry! Hate generally stems from an inability to comprehend. It can also be from a lack of understanding... But I'm sure you understood the first sentence and were able to comprehend the second. Perhaps some other stuff like math or science is more your forte (Pronounced just like Glock .40). So here's a bit of both in word format: Poetry attracts girls... Girls are good... You know like how magnets and shit work... Girls like poetry... Poetry is good. This is almost like neutrons and electrons... Girls and poetry = good... Following me??? You know like 2+2= something or other... Good... Progress man, we're making it. Now for the thinking part: Basements attract mold. You may just want to stay away from poetry man. Girls don't like mold... |
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Quoted:
Quoted:
I hate poetry! Hate generally stems from an inability to comprehend. It can also be from a lack of understanding... But I'm sure you understood the first sentence and were able to comprehend the second. Perhaps some other stuff like math or science is more your forte (Pronounced just like Glock .40). So here's a bit of both in word format: Poetry attracts girls... Girls are good... You know like how magnets and shit work... Girls like poetry... Poetry is good. This is almost like neutrons and electrons... Girls and poetry = good... Following me??? You know like 2+2= something or other... Good... Progress man, we're making it. Now for the thinking part: Basements attract mold. You may just want to stay away from poetry man. Girls don't like mold... Wait, what? Why do you have moldy girls in your basement? |
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Not a poem, but something from one of my favorite poets, il Suomo Poeta (The Supreme Poet), Dante Alighieri:
"The hottest places in hell are reserved for those, who in time of great moral crisis, maintain their neutralityl" I'm enjoying this thread, keep it up. Kipling is one of my favorites. |
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Quoted: Quoted: Quoted: I hate poetry! Hate generally stems from an inability to comprehend. It can also be from a lack of understanding... But I'm sure you understood the first sentence and were able to comprehend the second. Perhaps some other stuff like math or science is more your forte (Pronounced just like Glock .40). So here's a bit of both in word format: Poetry attracts girls... Girls are good... You know like how magnets and shit work... Girls like poetry... Poetry is good. This is almost like neutrons and electrons... Girls and poetry = good... Following me??? You know like 2+2= something or other... Good... Progress man, we're making it. Now for the thinking part: Basements attract mold. You may just want to stay away from poetry man. Girls don't like mold... Wait, what? Why do you have moldy girls in your basement? BNR you failed. RIF.......... But I like your style... Edited for clarity.... |
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