Remember, kiddies, 1 stone = 14 lbs. .....do the math.
Meet the 20st Sugar Plum Fairy, ballet's new big thing By Jasper Rees
Last Updated: 2:40am GMT 28/02/2007
www.telegraph.co.uk/news/main.jhtml;jsessionid=HA0XU02DQKYUDQFIQMGSFFWAVCBQWIV0?xml=/news/2007/02/28/nballet28.xmlThere is a long tradition of big foreign stars treading the boards in Britain. But the latest imports are the biggest this country has ever seen.
Members of The Big Ballet aim to show that grace, nimbleness
and femininity are not the preserve of stick-thin ballerinas They are members of The Big Ballet, a unique Russian dance troupe (average weight 20 stone) whose month-long UK tour started last night in Hull.
They may lack the litheness of Margot Fonteyn or Darcey Bussell but members of the company aim to challenge modern concepts of grace, nimbleness and femininity.
The troupe was the brainchild of Evgeny Panfilov, the late Russian choreographer, who created it in 1994.
Dancing to familiar music from Tchaikovsky and Vivaldi mixed with Tom Jones's Sex Bomb, the 18 hefty performers will be executing pirouettes and arabesques as they sashay in waves of juddering flesh through extracts from the Nutcracker and Swan Lake.
If its popularity in Russia and the success of its tours in Europe are any guide, they will be a big hit.
"People are bored with the ordinary stuff," said Natalia Lenskikh, the show's director.
"The Big Ballet is unique. In the normal world you don't find many overweight people dancing, ladies especially.
"Every production at home is sold out."
The company is based in Perm in the Urals where a tradition of ballet goes back nearly 200 years.
Perm is twinned with Oxford and was renamed Molotov for a time after the Hitler-Stalin pact in 1940. It has had its own ballet company since 1820.
Panfilov's reputation for experiment took a surreal turn in 1994 when he decided to assemble a company of bulky ballerinas which he named The Big Ballet. His belief was that dance is not the sole preserve of the preternaturally skinny.
Applicants didn't need to pass an audition or demonstrate any previous experience of dance.
The only requirement was a minimum weight. They had to be 12 stone or more.
However, the company was so overwhelmed with applications that the bar was raised to 17 stone.
There is considerable variety in the size of the dancers. Some are very big but more have dimensions closer to many modern women. They just look bigger because the mind's eye marries the music of Swan Lake with narrow hips and a slender bust.
Part of the company's appeal is that larger women can see mirror images of themselves performing energetically and, for the most part, elegantly.According to Lenskikh, Panfilov "realised that overweight girls have a special movement of their own, and that's what makes it so unique."
The ballerinas eat as much as they want but also exercise constantly.
Medical experts ensure that they are not putting their health — or their joints — in danger.
The big ballerinas present a challenge to the few men in the company.
"You cannot lift them up," said Lenskikh, "and you have to do special turns.
"They are very heavy so it's very difficult for them to make a normal turn."
But other things are less problematic, according to one of the ballerinas.
"It's surprisingly easy to do the splits when you have 120 kilos of down-force," said Tatyana Gladkih.