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Posted: 12/16/2018 1:01:11 AM EDT
It's a cool if overused premise . Western cop (Clint Eastwood) has to go to Manhattan.
It starts out with an okay for the time action scene with Eastwood in a Jeep hunting an Indian in a loincloth armed with a scoped M1 carbine. But then it boooogs the fuck down. Eatwood blah blah blah with NYC cops, Eastwood trying to screw a female probation officer, Eastwood throws whore out of his fleabag hotel, more blah blah. Eastwood does finally get jumped in the Pan Am building by a guy my wife thinks was the dad from Happy Days and loses his prisoner and revolver. There is a bar fight where Eastwood again gets beat up and the end has a decent motorcycle chase. But wow were movies dull. I will say -fair amount of weird 60/70 lsd party nudity -hilariously incorrect by 2018 standards although it wouldn't have raised an eyebrow in the 80s or 90s -in the late 60s you could take a commuter helicopter from the airport and land on the roof of the pan am building? If accurate that was pretty cool -the nyc detectives looked like they were in their 70s - Eastwood's character banged a mentally ill drug addict who helped club him earlier in the movie, men didn't pass up pussy -later on he assaults her to get info out of her, he threw her so hard through the air he broke a bannister on the set, then strangled her until she talked |
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I watched any which way but loose and smokey and the bandit today, and it reminded me how awesome movies in the 70's and 80's were.
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Pigeon toed orange peel scene went on far too long with that fucking song.
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that chick In the first part of the movie with the huge tits was nice.
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I like it. I'm a fan of almost everything Clint is in. I agree that was a trope, even at that point in history, but it still works today. Due South was a criminally underrated show BTW.
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Yes, you could take a helo from the Pan-Am building--now the Met Life Building, to the NYC airports back in the day. Then, one day in the late 70's?---the helo that was idling on the roof had one of it's landing gear collapse. As the spinning blades hit the roof and kaboomed!, one piece of blade traveled out, and then back into the building, broke the window, and took the head off some guy at his desk. For real.
That was the end of helo's on that roof. I've worked on 3 projects in that building. Huge PITA to work in. . . for several reasons. . |
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- Eastwood's character banged a mentally ill drug addict who helped club him earlier in the movie, men didn't pass up pussy -later on he assaults her to get info out of her, he threw her so hard through the air he broke a bannister on the set, then strangled her until she talked View Quote If there’s one thing I’ve learned on arf lately it’s that unless banging drug addicts and later beating information out of them is explicitly forbidden in the policy manual it’s open season on druggie chicks. |
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Watching Clint Eastwood movies today has made me realize he is far, far better at directing than acting.
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I see you 1 Coogan's Bluff and raise you
Attached File John Wayne goes to Blighty and teaches them how to copper. Brannigan (1975) Trailer The least believable thing to me is his ability to use a stick shift with the wrong hand. |
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I see you 1 Coogan's Bluff and raise you https://www.AR15.Com/media/mediaFiles/111690/brannigan_jpg-774040.JPG John Wayne goes to Blighty and teaches them how to copper. https://www.youtube.com/watch?v=gAhzli9jbKU The least believable thing to me is his ability to use a stick shift with the wrong hand. View Quote Ps that’s baldrick he pushes in the water. |
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Sadly, your wife is wrong. Mr. Cunningham was played by Tom Bosely.
Attached File A villain in this film was Pushie played by David Doyle of Charlie's Angels. On Angels, his character's name was John Bosely. Attached File Additionally, one of Pushie's thugs was the Dad from Different Strokes Conrad Bain. Attached File |
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Eastwood does finally get jumped in the Pan Am building by a guy my wife thinks was the dad from Happy Days.... View Quote |
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It's a cool if overused premise . Western cop (Clint Eastwood) has to go to Manhattan. It starts out with an okay for the time action scene with Eastwood in a Jeep hunting an Indian in a loincloth armed with a scoped M1 carbine. But then it boooogs the fuck down. Eatwood blah blah blah with NYC cops, Eastwood trying to screw a female probation officer, Eastwood throws whore out of his fleabag hotel, more blah blah. Eastwood does finally get jumped in the Pan Am building by a guy my wife thinks was the dad from Happy Days and loses his prisoner and revolver. There is a bar fight where Eastwood again gets beat up and the end has a decent motorcycle chase. But wow were movies dull. I will say -fair amount of weird 60/70 lsd party nudity -hilariously incorrect by 2018 standards although it wouldn't have raised an eyebrow in the 80s or 90s -in the late 60s you could take a commuter helicopter from the airport and land on the roof of the pan am building? If accurate that was pretty cool -the nyc detectives looked like they were in their 70s - Eastwood's character banged a mentally ill drug addict who helped club him earlier in the movie, men didn't pass up pussy -later on he assaults her to get info out of her, he threw her so hard through the air he broke a bannister on the set, then strangled her until she talked View Quote The late 60s and 70s were an odd period in film. You had young directors wanting to break free of the structured system that was the studios. They wanted to be counter culture like everything else and do art. By the late 70s and early 80s, they were replaced with folks that made the epics we love today. They grew up watching those weird films and took from it the right amount of rule breaking, but worked within the studio system to get funding and backing for their projects to make blockbusters. Look at Bonnie and Clyde (1967) and Dillinger (1973) as an example of typical late 60s early 70s film. B&C was controversial on its original release for its supposed glorification of murderers, and for its level of graphic violence. Director and writer John Milius did Dillinge and took a lot of inspiration from B&C. It is a poorly funded film with a lot of confused sexual feelings that is aided by some of the roughest, most violent gun battle ever staged on screen at the time. Milius learned from that and his experience with Dirt Harry. Milius has always been out there, but was reigned in by his USC after Dillinger and went on to do very well. By the 1980s, films again were an industrial product and formed into the format we have today. |
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For the most part, that was a shit film period. The late 60s and 70s were an odd period in film. You had young directors wanting to break free of the structured system that was the studios. They wanted to be counter culture like everything else and do art. By the late 70s and early 80s, they were replaced with folks that made the epics we love today. They grew up watching those weird films and took from it the right amount of rule breaking, but worked within the studio system to get funding and backing for their projects to make blockbusters. View Quote Hold the Chicken - Five Easy Pieces (3/8) Movie CLIP (1970) HD |
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It was a great period for film. I really love the 70's movies. https://www.youtube.com/watch?v=hdIXrF34Bz0 View Quote |
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The “overused premise” may have first been used in this flick IIRC.
They had to develop Eastwood’s on screen persona in an urban environment. The Western was a near dead genre at the time. |
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Coogan: Tell me, how many stores are there named Bloomingdale's in this town?
Taxi driver: One, why? Coogan: We passed it twice. Taxi driver: It's still $2.95, including the luggage. Coogan: Yeah, well there's $3.00, including the tip. |
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I'll counter the penguin's statement and say that the ratio of good to meh to bad movies in that era was pretty much the
same as today's. Speaking of Clint Eastwood, look no further that "Kelly's Heroes" which is STILL one of the best War movies of all time. |
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I was watching ‘Eiger Sanction’ last night. Talk about politically incorrect by today’s standards. Flamboyant gay guy (played by Jack Cassidy) has a dog named ‘Faggot’. Hot black mama is named Jemima Brown. Lol.
P.S. Brenda Venus and dem titties. |
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I like it. I'm a fan of almost everything Clint is in. I agree that was a trope, even at that point in history, but it still works today. Due South was a criminally underrated show BTW. View Quote |
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Only in that era could you get away with making movies like Cannibal Holocaust and the Wild Bunch.
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I watched the Beguiled last night with the wife. Now that's some bizarre 70s Eastwood for you. I thought it was odd back then when I was 12.
Another bizarre film from back then was Big Foss Little Halsey. Redford and some retarded guy racing motorcycles and screwing women. |
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60s/70s movies always had a boobie scene. With Real boobs, not water balloons. You never get to see that on TV, though.
Personally, Zardoz was pretty awesome. But my mom took me to see it. That was a little awkward. |
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It was still a bit early. I think movie making peaked in the mid-70s through the late ‘80s. Just watch Mr. Mom for proof.
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I defy you to watch this movie and describe it as anything other than "amazeballs"
I will make allowances for "genre defining" and "paradigm shifting" MST3K: Mitchell (FULL MOVIE) with annotations |
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It's a cool if overused premise . Western cop (Clint Eastwood) has to go to Manhattan. It starts out with an okay for the time action scene with Eastwood in a Jeep hunting an Indian in a loincloth armed with a scoped M1 carbine. But then it boooogs the fuck down. Eatwood blah blah blah with NYC cops, Eastwood trying to screw a female probation officer, Eastwood throws whore out of his fleabag hotel, more blah blah. Eastwood does finally get jumped in the Pan Am building by a guy my wife thinks was the dad from Happy Days and loses his prisoner and revolver. There is a bar fight where Eastwood again gets beat up and the end has a decent motorcycle chase. But wow were movies dull. I will say -fair amount of weird 60/70 lsd party nudity -hilariously incorrect by 2018 standards although it wouldn't have raised an eyebrow in the 80s or 90s -in the late 60s you could take a commuter helicopter from the airport and land on the roof of the pan am building? If accurate that was pretty cool -the nyc detectives looked like they were in their 70s - Eastwood's character banged a mentally ill drug addict who helped club him earlier in the movie, men didn't pass up pussy -later on he assaults her to get info out of her, he threw her so hard through the air he broke a bannister on the set, then strangled her until she talked View Quote |
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You do realize how many spaghetti westerns were made in the 60's?
Some with Clint |
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There are plenty of great movies from that era.. View Quote https://en.m.wikipedia.org/wiki/New_Hollywood |
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Entertainment is the opiate of the masses...of course some of the masses are snobbier about their personal tastes in opiates...than others of the more boorish crowd...
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Snipped Look at Bonnie and Clyde (1967) and Dillinger (1973) as an example of typical late 60s early 70s film. B&C was controversial on its original release for its supposed glorification of murderers, and for its level of graphic violence. Director and writer John Milius did Dillinge and took a lot of inspiration from B&C. It is a poorly funded film with a lot of confused sexual feelings that is aided by some of the roughest, most violent gun battle ever staged on screen at the time. Milius learned from that and his experience with Dirt Harry. Milius has always been out there, but was reigned in by his USC after Dillinger and went on to do very well. By the 1980s, films again were an industrial product and formed into the format we have today. View Quote |
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There is a scene in "Dillinger" where during a gunfight some bad guy dumps a 20 round mag from a BAR through a door at an agent. The collective in drawn breaths by the people in the theater was just as awesome as the mag dump. I was surprised that so many people in attendance understood what happened. View Quote |
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