Cool! Man the general news media seems to be on a roll so far NY Times, Newsday, CNN. My day is now complete. Though not as stinging as NY Times. See review from NY Times at [url]http://www.ar15.com/forums/topic.html?id=81595[/url]
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[url]http://www.cnn.com/2001/SHOWBIZ/Movies/12/28/hol.review.blackhawk.down/index.html[/url]
[img]http://www.cnn.com/2001/SHOWBIZ/Movies/12/28/hol.review.blackhawk.down/1.jpg[/img] [img]http://www.cnn.com/2001/SHOWBIZ/Movies/12/28/hol.review.blackhawk.down/2.jpg[/img][img]http://www.cnn.com/2001/SHOWBIZ/Movies/12/28/hol.review.blackhawk.down/3.jpg[/img]
CNN.com - 'Black Hawk' a letdown - December 28, 2001
'Black Hawk' a letdown
December 28, 2001 Posted: 1:41 PM EST (1841 GMT)
By Paul Tatara
CNN Reviewer
(CNN) -- Look out, everybody: Two of the most pandering, tactless
filmmakers in Hollywood history are now teaching us about honor among
soldiers.
Producer Jerry Bruckheimer and director Ridley Scott have pooled their
always-questionable cinematic tastes to bring us "Black Hawk Down," a war
movie that, pound for pound, is one of the most violent films ever
released by a major studio (Columbia Pictures, in case you're keeping
score).
However, unequalled slaughter is only one element of this film's
considerable insult. The most distasteful part is that it's being
presented as an unflinching tribute to fallen heroes, rather than the
realistically rendered game of "Doom" that it is. Forget the American
military, this is more an homage to the visceral thrill of exploding arms,
heads and legs.
"Black Hawk Down" stars Josh Hartnett, Ewan McGregor, Tom Sizemore and Sam
Shepard (who should have known better) as American soldiers who find
themselves trapped in a hellish bloodbath when a couple of United States
helicopters crash in Somalia during a 1993 United Nations peacekeeping
mission.
That's all there is to say about the narrative. Audience members who
aren't inclined to salute human butchery -- even when it's brilliantly
designed and photographed -- will be sickened by this picture's vulgarity
long before it's over. It's nothing more than a patriotism-cloaked excuse
to stretch the shockingly graphic first 20 minutes of "Saving Private
Ryan" (1998) across an entire film's length ... not that "Black Hawk Down"
is even remotely as useful as that picture.
Whereas Steven Spielberg drove home the brutality of warfare in a
condensed dose and then proceeded with a tale that's haunted by the
specter of bloodshed, Scott dispenses with character concerns altogether.
Virtually nothing is revealed about the people who are dying in "Black
Hawk Down" -- whether they're soldiers or Somalian civilians -- except
that they fly to pieces when struck by bullets and mortars. If you happen
to miss anything, never fear: Somebody else will be screaming and grabbing
their entrails before you know it.
Scott has proven many times over that he understands the intricate
psychology of violence and visual composition, and he uses his nearly
unrivaled technical skills to create the illusion that manipulating an
audience through pitiless imagery is "art."