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Link Posted: 12/2/2015 4:50:12 AM EDT
[#1]
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Quoted:


To critically access available information:

The stellite material is good- it is vastly superior to 300 series stainless steels as a suppressor baffle material.  The link discusses hardness and a higher melting temperature (among other things).  Barrel liners and 80% greater life in a barrel is not really a great comparison as chrome is .0004" thick and subject to cracking and peeling and chrome moly is not wear resistant.  17-4 has also been regarded as the holy grail of barrel materials by people like John Noveske, it is known to provide 2-3 times greater barrel life than other materials also, but is cost prohibitive to work with in terms of tool life with resulting barrels costing 3-4 times that of 416SS.  The 17-4 we use has nearly identical hardness to stellite 6 (most commonly used) and 21 (actual alloy used for M2 barrel liners) and 17-4's melting point is ~100F hotter.  It is 10% lighter than stellite also, because it is not cobalt based.  

Silencer co brought stellite to suppressors- probably for marketing reasons to compete with AAC's 718 inconel marketing.  The companies using stellite are all related by associated founder origin to silencer co partners and employees. Silencer Co casts and finish machines the baffles probably because this reduces the per pound cost of material used to manufacture parts, and minimizes machining time.  These offshoot companies probably also do because machining wrought would mean ~$40-$60 worth of cobalt material alone without considering cost to form it into a bar, all of which is substantial.  Casting means that stellite is as much as 60% weaker than billet 17-4 and also shares the process attributes of cast parts. That means possible internal voids and grain structure that is not ideal, like that found in wrought materials.  When you talk to a casting person about pressurized parts they immediately tell you casting is not ideal for pressurized parts.  For reasons of economy some pressurized parts are cast, but those are financial decisions primarily.

Stellite obviously is erosion resistant and that is the property category where it is probably the best material available- but that is coming with 10% more weight to material thickness, and up to 60% lower material strength so it comes at a price when you have to use more of a heavier material to get a similar strength component.

The best baffle materials are 718 inconel, stellite familiy alloys and 17-4, and we feel 17-4s high strength to weight ratio makes it obviously better than 718 inconel which is softer and substantially weaker, and in our opinion also better than stellite which is weaker and heavier - two property categories that are very hard to compromise in the sound suppressor product category.

In the end, engineering involves making a decision based on an overview and study of available materials. That is why you will get different answers to the same question. KAC for example used 625 inconel - they considered it ideal.  It is softer than all of the above, it is weaker than all of the above with exception of 300series stainless- probably its sole positive attributes are high temp strength retention (less noteworthy when your room temperature strength is so comparatively low)  and corrosion resistance- something inconel 625 does a superlative job of- and that is why you find it in nuke plant piping.  AAC founder Kevin went to SIG and they now offer titanium and 17-4 suppressors.
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Here is their write up on their Stellite Baffle:

https://ruggedsuppressors.com/why-choose-stellite/


To critically access available information:

The stellite material is good- it is vastly superior to 300 series stainless steels as a suppressor baffle material.  The link discusses hardness and a higher melting temperature (among other things).  Barrel liners and 80% greater life in a barrel is not really a great comparison as chrome is .0004" thick and subject to cracking and peeling and chrome moly is not wear resistant.  17-4 has also been regarded as the holy grail of barrel materials by people like John Noveske, it is known to provide 2-3 times greater barrel life than other materials also, but is cost prohibitive to work with in terms of tool life with resulting barrels costing 3-4 times that of 416SS.  The 17-4 we use has nearly identical hardness to stellite 6 (most commonly used) and 21 (actual alloy used for M2 barrel liners) and 17-4's melting point is ~100F hotter.  It is 10% lighter than stellite also, because it is not cobalt based.  

Silencer co brought stellite to suppressors- probably for marketing reasons to compete with AAC's 718 inconel marketing.  The companies using stellite are all related by associated founder origin to silencer co partners and employees. Silencer Co casts and finish machines the baffles probably because this reduces the per pound cost of material used to manufacture parts, and minimizes machining time.  These offshoot companies probably also do because machining wrought would mean ~$40-$60 worth of cobalt material alone without considering cost to form it into a bar, all of which is substantial.  Casting means that stellite is as much as 60% weaker than billet 17-4 and also shares the process attributes of cast parts. That means possible internal voids and grain structure that is not ideal, like that found in wrought materials.  When you talk to a casting person about pressurized parts they immediately tell you casting is not ideal for pressurized parts.  For reasons of economy some pressurized parts are cast, but those are financial decisions primarily.

Stellite obviously is erosion resistant and that is the property category where it is probably the best material available- but that is coming with 10% more weight to material thickness, and up to 60% lower material strength so it comes at a price when you have to use more of a heavier material to get a similar strength component.

The best baffle materials are 718 inconel, stellite familiy alloys and 17-4, and we feel 17-4s high strength to weight ratio makes it obviously better than 718 inconel which is softer and substantially weaker, and in our opinion also better than stellite which is weaker and heavier - two property categories that are very hard to compromise in the sound suppressor product category.

In the end, engineering involves making a decision based on an overview and study of available materials. That is why you will get different answers to the same question. KAC for example used 625 inconel - they considered it ideal.  It is softer than all of the above, it is weaker than all of the above with exception of 300series stainless- probably its sole positive attributes are high temp strength retention (less noteworthy when your room temperature strength is so comparatively low)  and corrosion resistance- something inconel 625 does a superlative job of- and that is why you find it in nuke plant piping.  AAC founder Kevin went to SIG and they now offer titanium and 17-4 suppressors.


How does titanium used in suppressors compare to the other materials mentioned?
Link Posted: 12/2/2015 5:40:16 AM EDT
[#2]
Discussion ForumsJump to Quoted PostQuote History
Quoted:


To critically access available information:

The stellite material is good- it is vastly superior to 300 series stainless steels as a suppressor baffle material.  The link discusses hardness and a higher melting temperature (among other things).  Barrel liners and 80% greater life in a barrel is not really a great comparison as chrome is .0004" thick and subject to cracking and peeling and chrome moly is not wear resistant.  17-4 has also been regarded as the holy grail of barrel materials by people like John Noveske, it is known to provide 2-3 times greater barrel life than other materials also, but is cost prohibitive to work with in terms of tool life with resulting barrels costing 3-4 times that of 416SS.  The 17-4 we use has nearly identical hardness to stellite 6 (most commonly used) and 21 (actual alloy used for M2 barrel liners) and 17-4's melting point is ~100F hotter.  It is 10% lighter than stellite also, because it is not cobalt based.  

Silencer co brought stellite to suppressors- probably for marketing reasons to compete with AAC's 718 inconel marketing.  The companies using stellite are all related by associated founder origin to silencer co partners and employees. Silencer Co casts and finish machines the baffles probably because this reduces the per pound cost of material used to manufacture parts, and minimizes machining time.  These offshoot companies probably also do because machining wrought would mean ~$40-$60 worth of cobalt material alone without considering cost to form it into a bar, all of which is substantial.  Casting means that stellite is as much as 60% weaker than billet 17-4 and also shares the process attributes of cast parts. That means possible internal voids and grain structure that is not ideal, like that found in wrought materials.  When you talk to a casting person about pressurized parts they immediately tell you casting is not ideal for pressurized parts.  For reasons of economy some pressurized parts are cast, but those are financial decisions primarily.

Stellite obviously is erosion resistant and that is the property category where it is probably the best material available- but that is coming with 10% more weight to material thickness, and up to 60% lower material strength so it comes at a price when you have to use more of a heavier material to get a similar strength component.

The best baffle materials are 718 inconel, stellite familiy alloys and 17-4, and we feel 17-4s high strength to weight ratio makes it obviously better than 718 inconel which is softer and substantially weaker, and in our opinion also better than stellite which is weaker and heavier - two property categories that are very hard to compromise in the sound suppressor product category.

In the end, engineering involves making a decision based on an overview and study of available materials. That is why you will get different answers to the same question. KAC for example used 625 inconel - they considered it ideal.  It is softer than all of the above, it is weaker than all of the above with exception of 300series stainless- probably its sole positive attributes are high temp strength retention (less noteworthy when your room temperature strength is so comparatively low)  and corrosion resistance- something inconel 625 does a superlative job of- and that is why you find it in nuke plant piping.  AAC founder Kevin went to SIG and they now offer titanium and 17-4 suppressors.
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Discussion ForumsJump to Quoted PostQuote History
Quoted:
Quoted:
Here is their write up on their Stellite Baffle:

https://ruggedsuppressors.com/why-choose-stellite/


To critically access available information:

The stellite material is good- it is vastly superior to 300 series stainless steels as a suppressor baffle material.  The link discusses hardness and a higher melting temperature (among other things).  Barrel liners and 80% greater life in a barrel is not really a great comparison as chrome is .0004" thick and subject to cracking and peeling and chrome moly is not wear resistant.  17-4 has also been regarded as the holy grail of barrel materials by people like John Noveske, it is known to provide 2-3 times greater barrel life than other materials also, but is cost prohibitive to work with in terms of tool life with resulting barrels costing 3-4 times that of 416SS.  The 17-4 we use has nearly identical hardness to stellite 6 (most commonly used) and 21 (actual alloy used for M2 barrel liners) and 17-4's melting point is ~100F hotter.  It is 10% lighter than stellite also, because it is not cobalt based.  

Silencer co brought stellite to suppressors- probably for marketing reasons to compete with AAC's 718 inconel marketing.  The companies using stellite are all related by associated founder origin to silencer co partners and employees. Silencer Co casts and finish machines the baffles probably because this reduces the per pound cost of material used to manufacture parts, and minimizes machining time.  These offshoot companies probably also do because machining wrought would mean ~$40-$60 worth of cobalt material alone without considering cost to form it into a bar, all of which is substantial.  Casting means that stellite is as much as 60% weaker than billet 17-4 and also shares the process attributes of cast parts. That means possible internal voids and grain structure that is not ideal, like that found in wrought materials.  When you talk to a casting person about pressurized parts they immediately tell you casting is not ideal for pressurized parts.  For reasons of economy some pressurized parts are cast, but those are financial decisions primarily.

Stellite obviously is erosion resistant and that is the property category where it is probably the best material available- but that is coming with 10% more weight to material thickness, and up to 60% lower material strength so it comes at a price when you have to use more of a heavier material to get a similar strength component.

The best baffle materials are 718 inconel, stellite familiy alloys and 17-4, and we feel 17-4s high strength to weight ratio makes it obviously better than 718 inconel which is softer and substantially weaker, and in our opinion also better than stellite which is weaker and heavier - two property categories that are very hard to compromise in the sound suppressor product category.

In the end, engineering involves making a decision based on an overview and study of available materials. That is why you will get different answers to the same question. KAC for example used 625 inconel - they considered it ideal.  It is softer than all of the above, it is weaker than all of the above with exception of 300series stainless- probably its sole positive attributes are high temp strength retention (less noteworthy when your room temperature strength is so comparatively low)  and corrosion resistance- something inconel 625 does a superlative job of- and that is why you find it in nuke plant piping.  AAC founder Kevin went to SIG and they now offer titanium and 17-4 suppressors.

what material is the phs 338 made of?
Link Posted: 12/2/2015 6:35:05 AM EDT
[#3]
Link Posted: 12/2/2015 10:05:37 AM EDT
[#4]
Lots of information and knowledge to be had from this thread. Thanks for all the input from everyone so far!
 
Link Posted: 12/2/2015 11:51:57 AM EDT
[#5]
This is a fantastic read, thanks for all the information.  I'd love to hear the other side of this, from a company that uses Stellite.  I don't have the materials background required to look objectively at the info here so I sent it to my buddy who is a crazy smart materials engineer.  I like the 30 SD a lot, if the baffle material really is as good as Stellite then I will have one.
Link Posted: 12/2/2015 1:29:16 PM EDT
[#6]
Link Posted: 12/2/2015 3:04:40 PM EDT
[#7]
Finally read through most of this.  Phew!  I'm just going to throw this out there from an engineering perspective relative to my background, education, and experience with two silencer companies.  

Product performance requirements should dictate your design and material selection.   Of the materials listed, Stellite, Inconel, 6Al-4V, and 17-4, all offer pretty insane material properties on the face of them so most manufacturers can get a way with using them how they want.  Several companies are using materials based more on what their manufacturing capability/supplier base is centered on.  Any given material stat like tensile strength, density, etc., shouldn't solely drive the decision for its selection in a product.  It's a combination of all of them for any given product performance requirement.  

If you want the most durable baffle possible, you can't focus only on material. It's MATERIAL plus GEOMETRY.   This is a common error in the industry and it's entertained me for years.   If you take a sharp-edged Inconel cone (say like an M4-2000) it will wear away the edge around the bore like a steep, sharp, knife blade will lose its cutting edge faster than a blunt, sharp, blade will.  A little extra material, a flat face, maybe a 90 degree shoulder, and 17-4 baffle will withstand a test that will hollow out that M4-2000 with those sharp Inconel cones.  Even a little bit of wear on that type of geometry means the bore hole enlarges itself.   The method of failure along the bore is quite literally a ripping away of the granular structure of the metal.  Stellite has the most durable of the crystal grain structures.  All the way on the other end of the spectrum, 6Al-4V (grade 5 ti) has a larger crystal grain structure and when it wears, it's bigger chunks that fall off.  

Add it all up, and on one end you'd have a baffle made of Stellite (superior wear resistance because of its granular structure) with a durable geometry that withstand incredible heat and abuse.  On the other you have 6Al-4V Ti with a knife blade sharp geometry that's going to wear more over time and hit a point where things fall off precipitously.  

Baffle strength aside, there's still the whole structure of the suppressor.  Most manufacturers that are falling back on the materials listed are going to do great as long as they're spec'ing enough material and strong enough joints (I'll call this good Design) and also manufacturing well (I'll call this good Process Control).   Many focus on one, but not the other.  It's difficult to do both without a lot of talented people on your team.

For us at Dead Air, the decision to use Stellite was not one for saving weight, or money, or manufacturing costs.  For the Sandman product line, it was solely about durability.  If you add up the material and geometries used in the baffle, no other material will handle the abuse it will.  Just as importantly, there are product requirements like great sound reduction, tone, low weight, and the ability to easily be removed from the host weapon when all is said and done.    I personally feel that our Sandman -S would the closest thing to a "belt fed" can among the mainstream products out there because of the baffle and construction design as well as the attachment method.  Otherwise, the obvious choice is AAC's MG-SD because it's made of a good material with uber-thick walls to account for the wear that will occur.
Link Posted: 12/2/2015 3:35:28 PM EDT
[#8]
Great info from Griffin and Dead Air, thanks guys. All the things you spoke about are why I have cans from both companies (Spartan 3 and a Sandman L).

Todd, I would love to see you guys make a small 5.56 Sandman (Specwar K competitor) in the future. The Keymount is already perfect, and I think it would be a great addition to my Sandman L. Something ~1.5" shorter, ~4-5 ounces lighter and 5.56 bore would be awesome if the sound performance is still there.
Link Posted: 12/2/2015 6:13:51 PM EDT
[#9]
Link Posted: 12/3/2015 1:58:45 AM EDT
[#10]
Discussion ForumsJump to Quoted PostQuote History
Quoted:
Great info from Griffin and Dead Air, thanks guys. All the things you spoke about are why I have cans from both companies (Spartan 3 and a Sandman L).

Todd, I would love to see you guys make a small 5.56 Sandman (Specwar K competitor) in the future. The Keymount is already perfect, and I think it would be a great addition to my Sandman L. Something ~1.5" shorter, ~4-5 ounces lighter and 5.56 bore would be awesome if the sound performance is still there.
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Thanks man!  Fun stuff is in the works.
Link Posted: 12/3/2015 3:27:20 AM EDT
[#11]
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Quoted:


Thanks man!  Fun stuff is in the works.
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Quoted:
Great info from Griffin and Dead Air, thanks guys. All the things you spoke about are why I have cans from both companies (Spartan 3 and a Sandman L).

Todd, I would love to see you guys make a small 5.56 Sandman (Specwar K competitor) in the future. The Keymount is already perfect, and I think it would be a great addition to my Sandman L. Something ~1.5" shorter, ~4-5 ounces lighter and 5.56 bore would be awesome if the sound performance is still there.


Thanks man!  Fun stuff is in the works.


I like this.
Link Posted: 12/3/2015 11:42:27 AM EDT
[#12]
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[/snip]
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[/snip]


Quoted:
[/snip]



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